Museum Würth 2

One of the Best Places To Visits in Künzelsau Top-rated.online cuts through the clutter, highlighting only the reviews that are most helpful, earn the most likes, or come from the most active contributors. Incredible art collection in a cool building conceived by Chippenfield architects - right in the south German outback. No entrance fee! We visited two wonderful museums. Both museums are very close to each other and both are free. And now about number two, which is currently hosting an exhibition of the artist Emil Nolte. We do not understand much about painting, but we really liked the artist's work. The itself leaves a very good impression: a comfortable large hall, a wonderful cinema with a film about the artist. A cozy cafe gives a great opportunity to sit and share impressions. And of course, we recommend this place 100%. This is a nice for Art lovers. there are many old paintings from renowned artists, some gold formations and outside different structure. A small cafeteria to serve you good cake and coffee Most incredible artwork all in one location, one of the world's most incredible galleries Great little with a good cafe, free parking & free entry. Staff very helpful Amazing place 🤩 First time visiting this museum, specifically for the David Hockney exhibition, which was fantastic. Beautifully laid out, interesting and informative film shown downstairs. Amazing building, friendly staff, great gift shop, I'll definitely be back for whatever exhibition they put on next. Highly recommend! The Würth 2 is a beautiful space—architecturally striking, thoughtfully curated, and overall a testament to the power of art and culture. The collection is impressive, and the museum’s concept of bringing together important works from the Würth Collection in such an inspiring setting is truly commendable. However, my experience was overshadowed by the prominent exhibition dedicated to Emil Nolde. While Nolde is undoubtedly a significant figure in German Expressionism, it is deeply troubling to see such extensive celebration of an artist with a well-documented history of fascist sympathies. Nolde was not just affiliated with the Nă*zi Party—he was an early and enthusiastic supporter of Hiłler, joining the party in the early 1930s and writing admiring letters to Nǎ*zi leaders. Although some of his works were labeled “degenerate art” by the regime, he continued to express loyalty to Nå*zi ideology and anti-Sẽmitic views even after being banned from exhibiting. To see such a figure given center stage in an otherwise progressive and modern was disappointing. Artistic merit is important, but so is context—and this exhibition felt like a missed opportunity to confront and critically engage with Nolde’s full legacy. Art doesn’t exist in a vacuum, and neither should our cultural institutions. Website change monitoring Monitor any webpage for changes – get instant email alerts when prices drop, new jobs are posted, products come back in stock, or competitors update their sites.